Thursday, July 12, 2012

overborne by fate

"I think that realistic literature from the first has been a victim literature. Pit any ordinary individual—and realistic literature concerns itself with ordinary individuals—against the external world, and the external world will conquer him, of course. Everything that people believed in the nineteenth century about determinism, about man's place in nature, about the power of productive forces in society, made it inevitable that the hero of the realistic novel should not be a hero but a sufferer who is eventually overcome. So I was doing nothing very original by writing another realistic novel about a common man and calling it The Victim. I suppose I was discovering independently the essence of much of modern realism. In my innocence, I put my finger on it. Serious realism also contrasts the common man with aristocratic greatness. He is overborne by fate, just as the great are in Shakespeare or Sophocles. But this contrast, inherent in literary tradition, always damages him. In the end the force of tradition carries realism into parody, satire, mock epic—Leopold Bloom."


Saul Bellow from here
Pic from here

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