"The narrative begins in media res as a sort of spy thriller: ‘The woman was stripping the prisoner, tying him to a chair’. Already though, little details in the language prime the reader to expect a twist somewhere. Talk of ‘Fanatics’ gives way to a focus on how the prisoner ‘stretched his muscled body against the rope’ and the sexual frisson of how ‘the hard spike of [the woman’s] heels scrap[ed] concrete as she opened [the door].’"
From a not entirely complimentary review of my story, The Ruins, in Sabotage. Full text here
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